Nagabharanam Movie Review :
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The film begins with a flashback character called Naganika (Ramya) who is a major identity in her city. She and her progenitors have been sparing an old landmark since numerous 100s of years. Insidious Tantrik Kapali (Rajesh Vivek Upadhayay) and his progenitors have been battling with Naganika`s family since numerous years to possess this Lord Shiva Monument.
This time Kapali kills Naganika and possesses the landmark. While kicking the bucket she promises that she will return to deliver retribution by Kapali. In the following birth, Naganika takes birth as Manasa, a snake lady to take revengeNagabharanam is an obsolete and uproarious graphical party which banks intensely on VFX work. Having said that, the film may speak to the Kannada group of onlookers as their late whiz Vishnu Vardhan is breathed life into in an exceptionally fascinating manner. Aside from that variable, this film has not a lot to awe the Telugu gathering of people and can be observed just for the graphics.The visual impacts are just the redeeming quality of the film and have been utilized pleasantly amid the peak. One can say that the creators did not see how to utilize the powerful illustrations in the account. Music is underneath normal and the foundation score is far too boisterous. Creation qualities are entirely great as a decent measure of cash has been spent on the film.
Going to the chief Kodi Rama Krishna, he has made a normal showing with regards to with the film. He has just kept representation on the cutting edge and left back the storyline and portrayal. Other than his intriguing method for breathing life into the whiz, rest of his endeavor is quite exhausting.
Nagabharanam is an amalgamation of movies like Devi, Ammoru, and Arundhati. The story is very basic yet the execution does not have a punch. The principal half goes for a hurl as the whole procedures are vague to the point that not even a solitary scene figures out how to inspire in the primary half.
The portrayal is the greatest disadvantage as one never gets a clarity with reference to what is going on in the film after a point. Superfluous illustrations, noisy foundation score abandon you with a cerebral pain immediately.
The screenplay is yet another aggravating variable as none of the scenes bode well. Aside from Ramya, the scalawags ham to a point that you have a craving for strolling path from the theater without a moment’s delay. Furthermore, upon this, tunes disturb you to the center by going into the plot from time to time.
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