Ko Movie Review :
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The highlight of the film is the cinematography. Richard M.Nathan made an awesome showing with regards to with the camera. Be it the battles or the melodies, he shot the scenes with sheer brightness. The areas of Norway and China are enchanting and eye-getting, because of the cinematographer’s endeavors.
To put it plainly, Ko is a splendidly shot political thriller bound with the standard business components. In the event that Ayan demonstrated us about sneaking exercises, Ko is about political upset. Caps off to K.V. Anand for displaying us three unique movies with three distinct subjects.
The film begins at Dina Anjali a Tamil every day daily paper office where Ashwin (Jeeva) is a picture taker. Two woman columnists working in the same daily paper Renuka (Karthika) as the investigative journalist and Saraswathi (Piaa) as spreads the amusement segment.
Harris Jayaraj made a sublime showing with regards to in Ayan and he rehashed the enchantment in Ko too. The BGM is adept for the scenes despite the fact that it was somewhat uproarious in specific parts. Anthony’s altering is obviously, fresh and keeps up the pace of the film well. Diminish Hein’s tricks are a treat for the activity buffs. The tunes are choreographed flawlessly as indicated by the mind-set of the melodies. The nothing-awesome Gala tune does not experience its pre-discharge develop notwithstanding a large group of understood confronts showing up.
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